But Aérosol has stayed true to the rough, grayscale look of his original works.

Of course, pieces such as these can hardly be executed in passing using only cardboard and spray paint cans (the means normally availed of by street punks). While life-size portraits or figures feature regularly in the pochoiristes' works, Jef Aérosol now takes things further still, creating murals that cover entire house walls. Over the course of his career, Jef Aérosol has refined this initial silhouette-like motif style, to create more sophisticated detailed representations. The words that feature there include the artist's pseudonym as well as terms and slogans like 'Click Clack' and 'Sniffin' Paint ' – references to the transgressive act of spray painting. The pictures are framed by writing on two sides in a format reminiscent of the record cover for 'London Calling' by The Clash (Jef Aérosol is also a musician). Based on photos from a photo booth, it comprises a set of self-portraits showing Aerosol making funny faces. Jef Aérosol's first graffiti series appeared in Tours in 1982. Translating as 'Done Quickly, Done Well', the book's title sums up the punk spirit that characterised the early stencilists. Back in 1986, he created the cover artwork for 'Vite Fait, Bien Fait', the very first book on the subject of street art, or rather, on the culture of rebellion that the art form represents.

Together with fellow pochoirists like Blek le Rat and Miss Tic, he pioneered the stencilling technique so frequently replicated in the UrbanArt of today. Jean-François Perroy, alias Jef Aérosol, is an original member of the French pochoir movement.

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